All Vittore Carpaccio Oil Paintings

Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.
 

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Vittore Carpaccio St.Augustine in his study oil on canvas


St.Augustine in his study
St.Augustine in his study
Painting ID::  41207
  mk157 1501-03 Oil on canvas 141x210cm
  mk157 1501-03 Oil on canvas 141x210cm

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Vittore Carpaccio The Meditaion on the Passing oil on canvas


The Meditaion on the Passing
The Meditaion on the Passing
Painting ID::  41276
  mk161 Tempera on wood
  mk161 Tempera on wood

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Vittore Carpaccio Cure of a possessed man through the patriarch of Grado oil on canvas


Cure of a possessed man through the patriarch of Grado
Cure of a possessed man through the patriarch of Grado
Painting ID::  42637
  MK169 1494 Cloth 365x389cm
  MK169 1494 Cloth 365x389cm

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Vittore Carpaccio The Departure of Ceyx oil on canvas


The Departure of Ceyx
The Departure of Ceyx
Painting ID::  42919
  mk170 1495-1500 Oil on spruce 74.9x88.9cm
  mk170 1495-1500 Oil on spruce 74.9x88.9cm

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Vittore Carpaccio Escape to Egypt oil on canvas


Escape to Egypt
Escape to Egypt
Painting ID::  53712
  mk234 about 1500 72x112cm
  mk234 about 1500 72x112cm

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     Vittore Carpaccio
     Italian 1455-1526 Vittore Carpaccio Locations His name is associated with the cycles of lively and festive narrative paintings that he executed for several of the Venetian scuole, or devotional confraternities. He also seems to have enjoyed a considerable reputation as a portrait painter. While evidently owing much in both these fields to his older contemporaries, Gentile and Giovanni Bellini, Carpaccio quickly evolved a readily recognizable style of his own which is marked by a taste for decorative splendour and picturesque anecdote. His altarpieces and smaller devotional works are generally less successful, particularly after about 1510, when he seems to have suffered a crisis of confidence in the face of the radical innovations of younger artists such as Giorgione and Titian.

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